Give a listen to “Old Photographs,” the closing track on Tommy Emmanuel’s It’s Never Too Late, and you’ll hear the distinctive squeak of finger noise as he runs his hands across the frets of his Maton Signature TE guitar. Many musicians would edit those imperfections out, but to Emmanuel, those imperfections are perfect.
A noted fingerstyle guitarist, Emmanuel frequently threads three different parts simultaneously into his material, operating as a one-man band who handles the melody, the supporting chords and the bass all at once. His talents, which translate in any language, carry him to the far corners of the globe, but Emmanuel never plays the same show twice, and he improvises big chunks of every date. That leaves him open to those technical imperfections, though they also provide some of the humanity to an other-worldly talent.
“It’s all about the feeling of the music,” Emmanuel says. “And it has to make me feel something. I’m still playing for myself, you know, because I figure if I please me, then I’m pretty sure I’m gonna please you. And that’s not an arrogant statement, it’s just quality control.”
Categories: Music , All Shows
Paid tickets required for all ages.
P1: Orchestra, Lower Operas, Lower Mezzanine
P2: Mid/Upper Mezzanine
P3: Upper Operas